Uzbeki musicians play the song “Tanovar” in Samarkand
Uzbeki musicians play the song “Tanovar” in their instrument store in Samarkand, Uzbekistan.
Uzbeki musicians play the song “Tanovar” in their instrument store in Samarkand, Uzbekistan.
Uyghur dolan muqam with dancing in the village of Makit, Xinjiang, China.
Saddadin Gulov playing the tambor at the Shashmaqam Music Conservatory in Bukhara, Uzbekistan.
The following is a student recital of Mugham music, performed for us at the Youth Conservatory in Baku, Azerbaijan, July 2010. The female singer, a 17-year old refugee, is singing about her lost homeland in Nagorno, Karabakh.
Mugam also known as Azerbaijani Mugham (Azerbaijani: Muğam) is one of the many styles of folk musics from Azerbaijan. Mugam draws on Iranian-Arabic-Turkish Maqam. It is a highly complex art form that weds classical poetry and musical improvisation in specific local modes.
Spontaneous singing at a barbecue in Sighnaghi, Georgia. Schmagi Pirtskhelani on Panduri with his 3 year old son on Dholi, and his wife and brother, Shergil, singing.
This video was shot by Jeff during one of his musical research adventures to Georgia.
Uzbeki musicians performing a traditional song from Uzbekistan in their home in Bukhara. Jeff filmed this clip on his musical research adventure to Uzbekistan.
In this video Tribecastan’s Jeff Green talks about and plays the Ravanhattha, a folk instrument from Rajasthan, India. For more music and info, please visit us on the web at www.tribecastan.tv
The Rawanhatta consists of half a coconut shell resonator covered with membrane, bound to it with the help of cotton cords, a two feet long bamboo stick fixed to the resonator with two main strings, one of horse tail and other of steel. In addition to these are sympathetic steel strings varying between three to thirteen, passing over a bridge and than directly to the wooden pegs fixed to the sides of the stick. It is played with a curved bow of horse tail hair drawn across the strings with rhythmic jerks, the small brass bells attached to it providing the jingling stress on the beats. It is held by the left hand, the resonator resting on the left side of the chest. The dexterity lies in playing each successive note, which is clear, detached and synchronizing with singing, changing the rhythm and displacing the normal beats and accents, whenever it is required, depending upon the musical situation.
It is used by religious singers called Bhopa to accompany the epic tales of Pabuji, a fourteenth century hero. The instrument itself is made by these tribal people.
In 2010, Jeff travelled to Eastern Turkistan (Xinjiang) in search of the Dolan Muqam and brought home this gorgeous instrument. The word tambur comes from the Arabic ‘tunbur’, and it is widely believed that this comes from the Sumerian word ‘pantur’, a semispherical stringed instrument with a long stem.
The Uyghur are a Turkic ethnic group living in Eastern and Central Asia. Today, Uyghurs live primarily in the Xinjiang Uyghur Autonomous Region in the People’s Republic of China.
“Kabul Hill” is a traditional Afghan melody, arranged by John Kruth & Jeff Greene. It was released on our album, 5 Star Cave. Film clips were sourced from the silent film, “Grass: A Nation’s Battle For Life” (1925). Editing by Erik Spink (www.erikspink.com).
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